They look out sideways from under their brows which are
their only shelter.
Rain
Ted Hughes
You’d come back for two months
though at the time it was just a day
or two to get on your feet, try
on the clothes of sobriety, the loose
or too tight coat depending
on the weather. You’d spent
your whole life out
into it, clouds making every day
shapes for you, every day a something
to live
to live
in. And like every farmer
or vet or straight up savior, you did
well enough in the sun and mud
and drove the fence posts
of your boundary lines in regardless
of the sky water or sky dry
or whatever kind of sky fall-
out. Best maybe I’d say
and the others would too, you were
at your best at rescue, the long
haul across the water to some pitched
belly-keel. They’d fallen under, fallen
through, poor bastards, and wasn’t
your boat and crew really meant for God-
given wings at every single
success? Why is it, tell me (though
you can’t now can you) because you know
better now seeing
you loosed of your own flesh and self
when you are the one under
the roll-over, the squall, and ever
trawling wind beating you down
to the deck and the boom let go, why,
when that wind is lost of all her traces snaking
above your skull, why is it the radio’s
out and the men
are on break or more likely to true, you
glued your mouth top to bottom
mum and slipped and stood and took it
man to man with yourself
and your shadows? Those lovers
and sons, that mother, who would
find you flattened on your rock
bottom and empty
on the aft deck and not a breath
of wind left
in you but the vessel, still
sound? Typical of you, right? You brought it
at last to shore, not taking on
a drop of water, almost as new
as when it was lifted by the first tide
except, and no one could see this but
from below, the one
unrepairable hurt, struck
years ago by the looks, and stuffed
(how was it you kept
afloat?) with all the cast-offs
of your living: baby’s first
tooth, a gnawed dog
bone, a diploma, a wedding
ring, a commendation, your father's death
certificate, a photo or two. And mostly, though gone
certificate, a photo or two. And mostly, though gone
to ground glass and powder, so I’ll only say
on hearsay: fifth after fifth, your mortar,
ground down till it’s finally fine
and dry, and when the bung’s
pulled, light as pixie, it makes
everyone standing beneath it
sneeze, squeeze their eyes
tight against the glitter
and gleam, inevitably blinking in
some that will never now be shut out,
the eye a shape-made and cultivated oyster now
and the lid it, the shell and the grit,
the grit, just this instant settling in
with the salt, the mucous, finding harbour
under the tongue.
the grit, just this instant settling in
with the salt, the mucous, finding harbour
under the tongue.
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