Tuesday, September 4, 2018

What Holds It's Own


pond.
stalk of grass.


What Holds Its Own

Whatever disquiet we sense in a room
we have brought there.

And so I instruct my ribs each morning,
pointing to hinge and plaster and wood—

You are matter, as they are.
See how perfectly it can be done.
Hold, one day more, what is asked.

                                                Jane Hirshfield
                                                A Room


Because they didn’t want to disturb
the living the parlor was set aside
to wake the dead.  I’ve read that

somewhere, how the term living room
came about because that’s all
that was allowed to happen there.

I don’t know for sure, and I don’t have
a parlor—though maybe that room—
in this house at least, would be

the den, and already the dead are
accumulating there: my grandmother
by way of her trunk, the one

she brought back east from Minnesota
after having been gone for twenty-
one years.  I can’t begin to guess

what was in it before my mother
put our old blankets, sheets—what wouldn’t
fit in her cedar chest, the one solid thing

she brought with her, that locked her
treasures when she moved them
from Salem.  My sister has that now, maybe

in her own living room.  I’ve never been
to her house but in other houses she’s lived
in I saw it, and the old rocking chair (another

piece from Salem), and maybe above it
my father’s 1960s Navy graduation photo
she won’t give back.  Maybe her house

is more a cemetery than mine, though
I’d argue it holds its own: a leather chair
a man I admired read to his granddaughter

in; a bookcase and the books inside; all
the books all around even, and still
living, the daughters and daughters of spider

plants and cacti, children’s children’s
children, new leaves, old root.  And too:
in a small wooden urn, a teaspoon maybe two,

of my friend’s ashes—what didn’t
get scattered, ten years now
at my elbow.  When I move back

home I have to find a suitable spot
somewhere, and in a brighter room—
maybe on that trunk next to the leather

chair.  What’s all in it: the kids’ stuffed toys,
a Brother typewriter, rocks I’d forgotten
about, coal maybe, and of course, those old

love letters, still holding their own,
closed up in their carefully cut open
envelopes, whispering the only

words they know to stave off the dark: Dearest,
I love you, I miss you, I’ll wait
for you, when are you coming back.

I put them under the pillows I’d meant
to decorate the couch with, where
we sat, lustful rush of arms

and legs and breath, hinging
and unhinging, coming up
for air after all that plunging, like any

lovers do I suppose, when they are
living and alive.


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