Keepers
My hope is that this minuscule prayer
will reach out to the god unknown I just sensed
passing in the rivulet of breeze above the mere rivulet
of water in this small arroyo. To the skittering insect
this place is as large as the Sea of Galilee.
Jim
Harrison
Small
Gods
Before automation, before, when the fog
would come in or the heavy mist or the high
seas were sensed and
the light arrived like
a conjuring, when the keeper had to
climb the tower and light the fire that would
guide the men through the coming and going
seas, feet between each metal stair and hand-
wrought tread with its lack of backing, that went
deep into the air, that went straight up and straight
down in the brick cylinder, I imagine
looking out with his eyes, and too with his wife’s
eyes, who both stay awake, he with his lit wick,
she with her midnight bread. Both of them, fingers
sticky or slick with soot or with flour,
lubricant and a whiff of kerosene,
up the wrists with a sudden flip and push,
flip and push, like he’s drawing on a small
pipe and she’s exhaling all her weight in-
to the flattening of every pocket
and lung of air rising up, the sea or
the dough. He’s cupping a flame to
the bowl of his pipe, she’s pushing her body
into the frame of the table he made
years ago in his off time. It’s blond with age,
this wood’s particular gray—and days and days
she with her midnight bread. Both of them, fingers
sticky or slick with soot or with flour,
lubricant and a whiff of kerosene,
up the wrists with a sudden flip and push,
flip and push, like he’s drawing on a small
pipe and she’s exhaling all her weight in-
to the flattening of every pocket
and lung of air rising up, the sea or
the dough. He’s cupping a flame to
the bowl of his pipe, she’s pushing her body
into the frame of the table he made
years ago in his off time. It’s blond with age,
this wood’s particular gray—and days and days
they eat separately, he in cleaning the Fresnel
lens, keeping meticulous minutes with
barometers, from wind meters, she with need-
les, with modest preening, and each completes
something: he his log, she another dainty
lace doily she’ll read and then donate to
the church bazaar come summer. It’s a quiet
life, mostly, this kind of keeping. The beam
lens, keeping meticulous minutes with
barometers, from wind meters, she with need-
les, with modest preening, and each completes
something: he his log, she another dainty
lace doily she’ll read and then donate to
the church bazaar come summer. It’s a quiet
life, mostly, this kind of keeping. The beam
of it, perpetually lit, penetrates
the deepest despair, like a hand at the end
of a solid arm plunging into
the molasses black of a fogbound August
night, when the men in the haddock-full boat don’t
know where now to row, and go down after
breaking up and plunging into the Fundy
water. And by simply knowing where, that hand,
that wrist, that elbow and right up the shoulder
knows, no groping, and grips the exact spot
on the paused throb of the shocked muscle.
the deepest despair, like a hand at the end
of a solid arm plunging into
the molasses black of a fogbound August
night, when the men in the haddock-full boat don’t
know where now to row, and go down after
breaking up and plunging into the Fundy
water. And by simply knowing where, that hand,
that wrist, that elbow and right up the shoulder
knows, no groping, and grips the exact spot
on the paused throb of the shocked muscle.
To ease it toward shore.
To coax it back through
to life. Like the wife who touches him when
he’s done with this particular storm, touches
his temple where the grease of the wick still
smudges, and she rubs it, and he her, where flour
still, a curl of hair still, a gloss of oil.
to life. Like the wife who touches him when
he’s done with this particular storm, touches
his temple where the grease of the wick still
smudges, and she rubs it, and he her, where flour
still, a curl of hair still, a gloss of oil.
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